David gilmour live in gdańsk

The performance of "No Way" had Gilmour playing regular lead guitar solos at the end of the track on his Fender Esquire (with distortion) instead of the lap steel guitar solos (with distortion) that had appeared on the album version and had a clean ending instead of fading out like on the album (the remastered CD version of the album had Gilmour's lap steel solo extended this time to feature a duel between himself playing high notes on his lap steel and lower notes on his trademark Stratocaster during the fadeout on the remaster). The middle part of the album version, for where the first of two lap steel guitar solos were on the album version, was deleted.

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While cynics can debate the pretentious of this date forever, everyone else can enjoy an utterly engaging, entertaining, and sometimes emotionally moving performance of Gilmour 's entire On an Island album and a boxful of Pink Floyd hits to boot. The first disc begins with Floyd 's Dark Side of the Moon suite of "Speak to Me," "Breathe," and "Time," and comes to a close with the reprise of the opening track. With the orchestra accompanying the band, the dreaminess and spaciness of the original music miraculously comes through, and Gilmour is in fine voice as well. The rest of disc one is taken up by an almost totally in-sequence performance of On an Island . The live version of the album rocks more, perhaps because of the steady presence of Manzanera , who adds extra punch to Gilmour 's airy bluesy one on guitar. This is especially true on "Take a Breath," when his crunchy, crackling power chords come off like something from his own Diamond Head album; his solo against the counterpoint of the orchestra makes it one of the set's true rockist highlights. Disc two is comprised entirely of performances of Pink Floyd tunes from albums as diverse as Atom Heart Mother ("Fat Old Sun"), Wish You Were Here ("Shine on You Crazy Diamond" and its title track), The Piper at the Gates of Dawn ("Astronomy Domine"), Meddle ("Echoes"), The Wall ("Comfortably Numb"), and The Division Bell ("A Great Day for Freedom"). The performances are not terribly spontaneous in part because of the orchestral arrangements, but they are flawless (again, Manzanera 's presence adds some real muscle) and, given the sheer quality of the sound, they have plenty of presence and warmth despite being recorded in front of a concert audience. This set may be strictly for Gilmour and Pink Floyd fans, but as such, for all its packaging pomp (it's green though: carbon-neutral cardboard wallets for all the different packages), it feels like something historic and beautifully considered as well as executed. It would have been amazing to be in that audience.

Former Pink Floyd member David Gilmour performs at the Pompeii Amphitheatre - the first public performance at the venue since 79AD.

‘Live At Pompeii’’s striking cover was art directed by Gavin Elder under the creative directorship of Polly Samson, with a photograph by Anna Wloch and design by Steve Knee of Blade Design. All the versions of the release include photo booklets, including live and venue shots taken by Polly Samson, Sarah Lee and Anna Wloch.

A recording of the 1990 Berlin benefit concert in which Roger Waters leads an all star cast in performing his famous concept album.

David Gilmour Live In GdańskDavid Gilmour Live In GdańskDavid Gilmour Live In GdańskDavid Gilmour Live In Gdańsk